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Through the Atavistic Rift:
Artistic Setian Frequencies of Forgotten Neteru


Beneath the oil-black obsidian sky of ancient antiquity, where the red desert gales howl with mystically invoked
incantations, the great river of Khem pulsates like a cosmic artery; coursing and flowing with occulted secrets
far beyond mortal comprehension ~ echoing esoteric whispers of cosmic ancestors who helped jumpstart early
hominid evolution and created civilization from the cradle.


In the flickering torches firmly anchored to the monolithic temple walls, shadowed figures, and engraved hieroglyphs
dance and crawl, shift and contort, momentarily revealing a veiled existence slightly beyond human perception,
where depicted deific beings give encoded transmissions that defy terrestrial origin, a cipher and mythology, a
blackened veil for something much older, much stranger.
Enter the Setian Frequency!


Set, the unadulterated adversary, the courier of “cutting”, the instigator of “isolation”, the harbinger of disruption and
distillation stands as neither neteru or myth ~ he is a living current, a disturbing force that shreds the woven fabric of
what is socially accepted. To attune to his frequency is to unveil the delusion of structured order, perceiving the
occulted cracks in established history where the primordial gods are more than celestial entities, but distant screams
of an intervention far more complex. Set’s chaotic destruction is revelatory illumination, a pounding pulse of
archaic rebellion, a dusting off of papyrus scrolls exposing the encrypted messages entombed within dogmatic
doctrine and sacramental script. For those who have eyes to see beyond the blinding beliefs, there are etheric
glimpses of atavistic architects ~ non-dimensional beings whose unseen presence lingers, vibrating underneath the
layered strata of recorded time.


This vision pushes past the comfort zone of what is familiar, inquisitively unraveling conventional orthodoxy,
uncomfortably questioning what is held to be sacrosanct. It challenges long-held mainstream thought and theory,
severing sanctioned narratives of conditioned comprehension to expose a reality that illuminates just
below the service. It is an investigation with questions ~

 

Was divinity ever truly divine? Were the supposed gods mere deific masks masquerading as something far more
elusive? Or has humanities extraterrestrial origins long been misinterpreted as mythological tales, legendary
temple texts, and hearth fire fantasies? When viewed through a Setian lens, the dissolution of the sacred
dissolves into something primal and untamed, where historical records become nonlinear fragmentary signals of
highly redacted and cyclically distorted information. But within this black-and-white void between what is known
and what is forbidden, a deeper truth of grayish hue illuminates, waiting for those brave souls to boldly bear
witness.

Yet, to speak of the “extraterrestrial” does not always mean a physical being solely of flesh and form. Beyond
the limited confines of material existence and conscious understanding, the conceptualized term stretches and
expands into non-dimensional and metaphysical realms ~ encompassing forces that do not conform to the laws of
dimensionality, beings that defy corporeal travel, multiple intelligences moving in occupied space through ethereal
currency, thought, and Will. These etheric bodies are not tethered to terrestrial physicality; they exist as vibratory
wave-forms, as sentient thought-forms, as architects of disruption that seep through the cracks and fissured fields
shaping perceptual awareness itself. Set, the chaotic catalyst is both a conductor and conduit for such
revelations ~ the adversarial pylon where barriers of illusion blur and linear existence goes extinct, where
stepping into a horrific truth is far more alien than human consciousness dares to comprehend.
Within these interpretative works of invoked pictographs and inscribed sigils, an evoked channeled manifestation of
Set finds expression through sacred geometric shapes, distortions in form, and the interplay of patterns involving
light and shadow ~ an active synthesis serving as a cryptic key unlocking forgotten knowledge, unleashing subjective
gnosis entrenched within the subconscious, building an esoteric bridge between the seen and unseen. With
visionary eyes that see beyond time, cosmic glyphs that resonate vibrational frequency, and energetic figures
ethereally fragmented as if existing between dimensions, these works do not claim to reveal absolute truths, nor do

They seek to rewrite what has already been written. Instead, they exist as expressive artistic choices ~ imaginal depictions
deciphered through active contemplation, oppositional images challenging manufactured frameworks, symbolic
scribbles that question conventional narratives, thus inviting the profane observer to unchain the incarcerated
perception and openly explore the space-time continuum between known and unknown, truth and myth. As the
viewer…does that exist?


These artistic interpretations are a work of fiction, an exploratory union of ancient writings, occult teachings, and
speculative possibilities. They are not meant to be historical accounts but creative expressions, inviting the
imagination to bridge the chasm between myth and the unknown.


The artist does not intend to misappropriate, alter, or offend any particular culture, race, or people. This work is a deep reflection

of artistic alchemical exploration and philosophical curiosity meant to inspire thought and open
dialogue rather than to rewrite or redefine historical truths.

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